Franz Erhard Walther

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<Franz Erhard Walther> An Introduction
In a museum such as ours, it can be immensely gratifying when exhibitions make do with works drawn entirely from one's own collection, especially when they are not bound by a particular thematic aspect but offer a full spectrum of a single artist's oeuvre. This is the case with our Franz Erhard Walther exhibition. Thanks  to acquisitions that were as far-sighted as they were discriminating, and to numerous donations, the Hamburger Kunsthalle can boast an extensive range of his early works, the like of which in terms of abundance and quality cannot be found in any collection.

在像我們這樣的博物館中，當展覽完全從自己的收藏品中汲取作品時，尤其是當它們不受特定主題方面的束縛，而是提供一個完整的單一藝術家作品時，它會非常令人滿意。 我們的Franz Erhard Walther展覽就屬於這種情況。 漢堡藝術館（Hamburger Kunsthalle）擁有大量的早期作品，並且在豐富和質量方面無法在任何收藏品中找到，這要歸功於他們的歧視以及眾多捐贈的遠見。

(跳到自述好ㄌ)

Thus Was the Path to the Werkhandlungen 因此，工作行動的路徑是什麼 1979

Franz Erhard Walther
Drawing was a natural part of my life from early childhood onwards. I could produce a realistic image of anything I wanted to draw. The subject matter never presented any difficulties, which gave ma a sense of confidence in my abilities, but also meant that I had an unusual perspective on my surroundings. To me, there was nothing special about any of this. I did not just draw things as they were, however. When I was about eight years old, for example, I began drawing groups of people I envisaged in a cold environment with no clothes on. After sketching their outline, I would dress them with one hatched article of clothing at a time, and in doing so I imagined their bodies gradually warming up. I also drew series of images on narrow rolls of paper, which I would then unroll like a film inside a cardboard box with a cutout frame. As I presented these to an audience of invited friends, I would narrate the story I had drawn. I also recorded these picture stores in my notebooks as a succession of images with drawn frames, and at some point I began creating cartoons. Drawing things I observed in reality soon became uninteresting and boring.

從兒童早期開始，繪畫是我生活中自然的一部分。我可以為我想畫的任何東西畫出真實的圖像。主題從來沒有帶來任何困難，讓我對自己的能力充滿信心，但也意味著我對周圍環境有不同尋常的看法。對我來說，這一點沒什麼特別的。然而，我並不只是畫出它們的東西。例如，當我大約八歲的時候，我開始畫一組我在寒冷的環境中設想的人，沒有衣服。勾勒出他們的輪廓後，我會一次給他們穿上一件衣服，然後我想像他們的身體逐漸變暖。我還在狹窄的紙捲上繪製了一系列圖像，然後我會像一個帶有切口框架的紙板箱內的膠片一樣展開。當我向受邀的朋友們展示這些時，我會講述我畫的故事。我還將這些圖片商店記錄在我的筆記本中，作為一系列帶有繪製框架的圖像，在某些時候我開始製作卡通片。我在現實中觀察到的東西很快變得無趣和無聊。

(天哪，他好有趣喔)
還剩餘15段。